February 7 Aprótér Room 21.00
Sisters in Law (Florence Aisi, Kim Longinotto 2005, 104')
Sisiters in Law: Stories from a Cameroon Court is a documentary portraying aspects of women's lives and work in the judicial system in Cameroon, West Africa. The film centres around four cases involving violence against women. It shows women seeking justice and effecting change on [universal] human interests issues. It also shows strong and positive images of women and children in Cameroon.
February 14 Aprótér Room 21.00
No more tears sister ( Helene Klodawski 2005, 78')
Set during the violent ethnic conflict that has enveloped Sri Lanka over decades, the documentary recreates the courageous and vibrant life of renowned human rights activist,, feminist and revolutionary Dr. Rajani Thiranagama. Mother, anatomy professor, and symbol of hope, Rajani was assassinated at the age of thirty-five. Stunningly photographed, using rare archival footage, intimate correspondence and poetic recreations, the story of Rajani and her family delves into rarely explored themes - revolutionary women and their dangerous pursuit of justice.
February 21 Aprótér Room 21.00
Psychoanalysis and Matrixal Borderspace (screening of Bracha L. Ettinger's public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, about 120')
Bracha L. Ettinger, Israeli-French psychoanalyst, painter, artist and feminist theorist, discussing her paintings, notebooks and work on the matrixial borderspace, trans-subjectivity, co-poiesis and trauma. She describes the relation between her artistic practice and psychoanalytic practice. Bracha L. Ettinger at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland
http://brachaettingermatrixialborderspace.blogspot.com/
February 28 Tuzrakter Cafe 18.00
To see if i 'm smiling ( Tamar Yarom 2007, 59')
Six Israeli women give a personal account about their life in the Israeli Army, in the Occupied Territories. A female point of view on the drama of an unending war, on the moral challenges the soldiers faced at the encounter with the Palestinian population. The women look back critically at the way they handled the power that was placed in their hands at the young age of eighteen.
Lullaby ( Adi Arbel 2004, 52')
More than 60 babies were killed during the last intifada in Israel and in the Palestinian Authority territories. “My daughter was born on the day the intifada set off, when she turned 6 months, an Israeli baby was shot in the head; a month later, a Palestinian baby was shot. This for me was quite intolerable.” (Director Adi Arbel) Palestinian and Israeli Mothers talk about the essence of motherhood that had taken a fatal blow, and the unbearable lightness of killing of children in the region. Intimate confessions turn into one conversation about motherhood, bereavement, new pregnancies.Arabic, Hebrew and heart-beats join together into one voice, full of hope of mothers - the hope from which new babies are born.
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